"Lucia di Lammermoor, Act II: Chi mi frena in tal momento" by Gaetano Donizetti, Riccardo Stracciari, Maria Barrientos, Charles Hackett, Jose Mardones, George Meader, Emma Noe, Studio Orchestra was released on January 2, 2005. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 45 in Donizetti: Lucia Di Lammermoor (Callas, Di Stefano, Gobbi) (1953) by Gaetano Donizetti. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Lucia di Lammermoor, Act II: Chi mi frena in tal momento is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor, Act II: Chi mi frena in tal momento by Gaetano Donizetti, Riccardo Stracciari, Maria Barrientos, Charles Hackett, Jose Mardones, George Meader, Emma Noe, Studio Orchestra is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Lucia Popp, Tom Krause, Vienna Haydn Orchestra, István Kertész | A Major | 3 | 11B | 96 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Canzonetta spagnuola | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 4 | 10B | 103 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Bellini: I Puritani, Act 2: "O, rendetemi la speme" (Elvira) | Vincenzo Bellini, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | E♭ Major | 2 | 5B | 90 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | D Minor | 0 | 7A | 121 BPM | ||
Cavalleria rusticana: "Il cavallo scalpita" | Pietro Mascagni, Piero Cappuccilli, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Major | 3 | 2B | 128 BPM |
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