Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra made "Columbus-Marsch" available on October 11, 2012. The duration of Columbus-Marsch is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Columbus-Marsch's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vol. 18 Naturstimmen by Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra. The song's track number on the album is #8 out of 16 tracks. In terms of popularity, Columbus-Marsch is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Columbus-Marsch by Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Columbus-Marsch being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die lustige Witwe (The Merry Widow) (arr. R. Hayman): The Merry Widow Waltz | Franz Lehár, Richard Hayman, Richard Hayman Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
The Bird Seller: "Ich bin der Prodecan" (Instrumental Version) | Carl Zeller, Budapest Philharmonic Orchestra, Janos Sandor | B♭ Major | 1 | 6B | 128 BPM | ||
Amor auf dem Balle, OP. 228: Bravour-Polka | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | B♭ Major | 1 | 6B | 134 BPM | ||
The Seasons, Op. 67, Pt. 4 "L'automne": No. 14d, Le printemps | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Macbeth: The Favorite March in [Purcell’s] Bonduca | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 3 | 10B | 115 BPM | ||
Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Sylvia: Intermezzo and Slow Waltz | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | D♭ Major | 0 | 3B | 73 BPM |
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