"Carmina Burana - Uf dem Anger: "Floret silva nobilis"" by Carl Orff, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt was released on January 1, 1991. The duration of Carmina Burana - Uf dem Anger: "Floret silva nobilis" is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Carmina Burana - Uf dem Anger: "Floret silva nobilis"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #7. In terms of popularity, Carmina Burana - Uf dem Anger: "Floret silva nobilis" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana - Uf dem Anger: "Floret silva nobilis" by Carl Orff, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abenlied, Matthias Claudius, für Sprechstimme, Alt- und Baß-Metallophon, Baß-Xylophon, Große Trommel und Weinglas (Paralipomena Nr. 18, Carl Orff 1977 | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | D Minor | 0 | 7A | 138 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | A♭ Major | 4 | 4B | 126 BPM | ||
Grieg: Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride - Ingrid's Lament | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | G Major | 1 | 9B | 134 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
Tannhauser, Act II: Einzug der Gaste auf der Warburg | Richard Wagner, Budapest Symphony Orchestra, György Lehel | B Major | 1 | 1B | 130 BPM | ||
Schubert: Die Forelle, Op. 32, D. 550 | Franz Schubert, Ian Bostridge, Julius Drake | D♭ Major | 0 | 3B | 170 BPM | ||
Toccata and Fugue in D minor | Johann Sebastian Bach, William McVicker | D Minor | 0 | 7A | 72 BPM | ||
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): I. Allegro | Karoly Botvay | F Major | 0 | 7B | 107 BPM | ||
Danzas fantasticas, Op. 22: Orgia | Joaquín Turina, Orquesta Sinfónica de Castilla y León, Max Darman Bragado | D Major | 2 | 10B | 136 BPM |
Section: 0.7439732551574707
End: 0.74739670753479