Nathan Milstein's 'Beethoven's Violin Sonata #5 In F, Op. 24, "Spring" - 1. Allegro' came out on November 9, 2010. Since Beethoven's Violin Sonata #5 In F, Op. 24, "Spring" - 1. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Violin Essential Masters by Nathan Milstein. The song's track number on the album is #50 out of 93 tracks. Based on our statistics, Beethoven's Violin Sonata #5 In F, Op. 24, "Spring" - 1. Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Beethoven's Violin Sonata #5 In F, Op. 24, "Spring" - 1. Allegro by Nathan Milstein has a tempo of 148 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Beethoven's Violin Sonata #5 In F, Op. 24, "Spring" - 1. Allegro being at 148 BPM, the half-time would be 74 BPM with a double-time of 296 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Grand Caprice on Schubert's Der Erlkönig, Op. 26 | Heinrich Wilhelm Ernst, Jiří Vodička | G Minor | 2 | 6A | 88 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
Dance of the Goblins | Antonio Bazzini, Timothy Chooi, Janelle Fung | C Minor | 1 | 5A | 118 BPM | ||
Moto perpetuo, Op. 11, MS 72 (Version for violin and orchestra) | Niccolò Paganini, Ivan Pochekin, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 5 | 8B | 174 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | E Major | 0 | 12B | 87 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
Spanish Dances, Op. 23: No. 5. Playera (arr. for viola and piano) | Pablo de Sarasate, Luigi Alberto Bianchi, Bruno Canino | G Minor | 0 | 6A | 68 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
9 Studies: No. 1. Allegro agitato | Charles-Auguste de Bériot, Bella Hristova | G Major | 1 | 9B | 129 BPM |
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