3 Romances sans paroles, Op. 17: 3 romances sans paroles, Op. 17: No. 1 in A-Flat Major - Gabriel Fauré, Jean Martin Information

Acousticness: 100%
Danceability: 41%
Energy: 3%
Instrumentalness: 86%
Liveness: 10%
Loudness: 54%
Speechiness: 5%
Valence: 14%
Popularity: 3%
Loudness: -27.847 dB

Summary

"3 Romances sans paroles, Op. 17: 3 romances sans paroles, Op. 17: No. 1 in A-Flat Major" by Gabriel Fauré, Jean Martin was released on June 11, 1997. The duration of 3 Romances sans paroles, Op. 17: 3 romances sans paroles, Op. 17: No. 1 in A-Flat Major is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. 3 Romances sans paroles, Op. 17: 3 romances sans paroles, Op. 17: No. 1 in A-Flat Major's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 16 in Faure (The Best Of) by Gabriel Fauré. 3 Romances sans paroles, Op. 17: 3 romances sans paroles, Op. 17: No. 1 in A-Flat Major is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

3 Romances sans paroles, Op. 17: 3 romances sans paroles, Op. 17: No. 1 in A-Flat Major BPM

The tempo marking of 3 Romances sans paroles, Op. 17: 3 romances sans paroles, Op. 17: No. 1 in A-Flat Major by Gabriel Fauré, Jean Martin is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

3 Romances sans paroles, Op. 17: 3 romances sans paroles, Op. 17: No. 1 in A-Flat Major Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro	Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio	A Major	1	11B	117 BPM
Paradis: Sicilienne 파라디스 시실리안느	김준영	E♭ Major	0	5B	137 BPM
Fantasia in D Minor, K. 397	Wolfgang Amadeus Mozart, Alfred Brendel	D Major	0	10B	126 BPM
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2	Felix Mendelssohn, Péter Nagy	F♯ Minor	1	11A	166 BPM
Adoration (Version for Solo Violin and String Orchestra)	Florence Beatrice Price, Daniel Hope, Zürcher Kammerorchester	D Major	1	10B	80 BPM
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude	César Franck, Aldo Ciccolini	B Minor	0	10A	127 BPM
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello)	Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson	G Minor	0	6A	106 BPM
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220	Carl Philipp Emanuel Bach, Ana-Marija Markovina	F Minor	2	4A	76 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM
Sinfonia in C major, RV 112: II. Andante	Karoly Botvay	C Minor	1	5A	112 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6745550632476807

End: 0.6787192821502686