Leonard Bernstein, Louise Edeiken, Mark Thomsen, Kurt Ollmann, Vienna Radio Symphony Orchestra's 'A Quiet Place / Act 2: Skid A Lit Day (From Trouble In Tahiti) - Live From Staatsoper, Vienna / 1986' came out on January 1, 2010. With A Quiet Place / Act 2: Skid A Lit Day (From Trouble In Tahiti) - Live From Staatsoper, Vienna / 1986 being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leonard Bernstein, Richard Wilbur's "Leonard Bernstein - Theatre Works on Deutsche Grammophon" album is number 5 out of 131. Based on our statistics, A Quiet Place / Act 2: Skid A Lit Day (From Trouble In Tahiti) - Live From Staatsoper, Vienna / 1986's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of A Quiet Place / Act 2: Skid A Lit Day (From Trouble In Tahiti) - Live From Staatsoper, Vienna / 1986 by Leonard Bernstein, Louise Edeiken, Mark Thomsen, Kurt Ollmann, Vienna Radio Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Concerto In A, K.622: 2. Adagio - Live | Wolfgang Amadeus Mozart, Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | A Major | 1 | 11B | 124 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
St Matthew Passion, BWV 244: Part I, No. 3: Chorale "O Blessed Jesus" | Johann Sebastian Bach, Leonard Bernstein, New York Philharmonic | D♭ Major | 2 | 3B | 111 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
March From Things To Come | Arthur Bliss, Bliss, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 5 | 8B | 114 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 79 BPM | ||
Billy the Kid Suite: VIII. The Open Prairie Again | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 72 BPM | ||
Overture Candide | Leonard Bernstein, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 4 | 5B | 159 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM |
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