Johann Sebastian Bach, Paul Badura-Skoda, Jörg Demus, Vienna State Opera Orchestra, Kurt Redel made "Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: II. Adagio" available on 1960. With this song being about 5 minutes long, at 4:41, "Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: II. Adagio" by Johann Sebastian Bach, Paul Badura-Skoda, Jörg Demus, Vienna State Opera Orchestra, Kurt Redel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Jörg Demus, Paul Badura-Skoda, Vienna State Opera Orchestra, Kurt Redel's "J.S. Bach: Concertos for Harpsichord, Strings and Continuo, BWV 1052, 1053, 1055, 1056, 1060, 1061 (Jörg Demus – The Bach Recordings on Westminster, Vol. 7)" album is number 14 out of 18. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: II. Adagio is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: II. Adagio by Johann Sebastian Bach, Paul Badura-Skoda, Jörg Demus, Vienna State Opera Orchestra, Kurt Redel to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): III. Allegro | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A♭ Major | 0 | 4B | 84 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Matthäuspassion, BWV 244: Wir setzen uns mit Tranen nieder (Chorus I and II) | Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl | C Minor | 1 | 5A | 130 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 109 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: Andante | Franz Schubert, Krystian Zimerman | F♯ Major | 0 | 2B | 61 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM |
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