"Voghormya ints Astvadz - Show mercy on me, God, hear my voice calling from the morass of my sins and heal me" by Anna Mailian, Hovhaness Darbinian, Margarit Sarkissian, Ara Avanian, Sharakan Early Music Ensemble was released on January 1, 1996. With Voghormya ints Astvadz - Show mercy on me, God, hear my voice calling from the morass of my sins and heal me being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "The Music of Armenia, Vol. 2: Sharakan". In this album, this song's track order is #18. Voghormya ints Astvadz - Show mercy on me, God, hear my voice calling from the morass of my sins and heal me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Voghormya ints Astvadz - Show mercy on me, God, hear my voice calling from the morass of my sins and heal me by Anna Mailian, Hovhaness Darbinian, Margarit Sarkissian, Ara Avanian, Sharakan Early Music Ensemble having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Song To The Mother (O Viridissima Virga) | Hildegard von Bingen, Emily Van Evera, Sister Germaine Fritz, Richard Souther | B Major | 1 | 1B | 63 BPM | ||
Argo's Voyage | Eleni Karaindrou | A Major | 0 | 11B | 58 BPM | ||
We Sing to You, Pt. 1 | Zdrako Mihaylov | G Minor | 0 | 6A | 124 BPM | ||
lilo & stitch was a story about love & war | SOTÆ | F Minor | 5 | 4A | 165 BPM | ||
Frogg Galliard | Hopkinson Smith, John Dowland | G Major | 2 | 9B | 119 BPM | ||
Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM | ||
Tiento | Alonso Mudarra, Shirley Rumsey | F Major | 0 | 7B | 106 BPM | ||
Douce dame jolie... | Guillaume de Machaut, Les musiciens de Provence, Maurice Guis | A Minor | 1 | 8A | 108 BPM | ||
Liturgy of St. John Chrysostom, Op. 41, TH 75: Hymn of the Cherubim | Pyotr Ilyich Tchaikovsky, USSR Ministry of Culture Chamber Choir, Valery Polyansky | E♭ Minor | 0 | 2A | 61 BPM | ||
Tarantella española | Santiago De Murcia, Diego Fernández de Huete, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM |
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