"L'Amour de loin: Quatrième acte. Troisième tableau : Tempête. Jaufré : "Je devrais être l'homme le plus heureux du monde"" by Kaija Saariaho, Daniel Belcher, Deutsches Symphonie-Orchester Berlin, Kent Nagano, Rundfunkchor Berlin was released on September 7, 2009. The duration of L'Amour de loin: Quatrième acte. Troisième tableau : Tempête. Jaufré : "Je devrais être l'homme le plus heureux du monde" is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. L'Amour de loin: Quatrième acte. Troisième tableau : Tempête. Jaufré : "Je devrais être l'homme le plus heureux du monde"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kaija Saariaho, Kent Nagano's "Kaija Saariaho: L'Amour de loin" album is number 6 out of 30. In terms of popularity, L'Amour de loin: Quatrième acte. Troisième tableau : Tempête. Jaufré : "Je devrais être l'homme le plus heureux du monde" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Amour de loin: Quatrième acte. Troisième tableau : Tempête. Jaufré : "Je devrais être l'homme le plus heureux du monde" by Kaija Saariaho, Daniel Belcher, Deutsches Symphonie-Orchester Berlin, Kent Nagano, Rundfunkchor Berlin to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
Sept papillons: Papillons II | Kaija Saariaho, Alexis Descharmes | D Major | 1 | 10B | 169 BPM | ||
2 Studies on Ancient Greek Scales (Arr. J. Schneider for Guitar & Harp): No. 1, Olympos' Pentatonic | Harry Partch, Just Strings, John Schneider, Amy Shulman | G Minor | 1 | 6A | 117 BPM | ||
A | Jeremymus | F♯ Minor | 0 | 11A | 141 BPM | ||
3 Pieces in Old Style: No. 2. Menuetto I | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | A Minor | 1 | 8A | 155 BPM | ||
M is for Man, Music, Mozart: The Eisenstein Song | Louis Andriessen, Jurjen Hempel, Orkest De Volharding | B♭ Minor | 0 | 3A | 59 BPM | ||
The Companion Guide To Rome: II Benedetto | Andrew Norman, A Far Cry | G Major | 2 | 9B | 115 BPM | ||
L'Amour de loin: Troisième acte. Deuxième tableau : À Tripoli, sur la plage. Clémence : "Ben tenc lo Seignor per verai" | Kaija Saariaho, Deutsches Symphonie-Orchester Berlin, Kent Nagano, Ekaterina Lekhina, Rundfunkchor Berlin | E Minor | 2 | 9A | 95 BPM |
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