Имре Кальман, Татьяна Шмыга, Andrei Mironov, Юрий Савельев, Александр Ширвиндт's 'Баядера, действие II: "Филипп, муж, что ты здесь делаешь?"' came out on January 1, 1973. With Баядера, действие II: "Филипп, муж, что ты здесь делаешь?" being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Имре Кальман: Баядера, so we believe that "Баядера, действие II: "Филипп, муж, что ты здесь делаешь?"" is a single. Баядера, действие II: "Филипп, муж, что ты здесь делаешь?" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Баядера, действие II: "Филипп, муж, что ты здесь делаешь?" by Имре Кальман, Татьяна Шмыга, Andrei Mironov, Юрий Савельев, Александр Ширвиндт is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
Siete canciones populares españolas - orq. Ernesto Halffter: I. El paño moruno | Manuel de Falla, José Ramón Encinar, Orquesta de la Comunidad de Madrid, Ainhoa Arteta | A Minor | 4 | 8A | 129 BPM | ||
Puts: The Hours, Act 1: "Clarissa! - Barbara!" (Barbara, Clarissa, Chorus, Virginia, Leonard) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kathleen Kim, Metropolitan Opera Chorus, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Die erwachte Rose, TrV 90 | Richard Strauss, Hanna-Elisabeth Müller, Juliane Ruf | B♭ Major | 0 | 6B | 76 BPM | ||
Los gavilanes, Acto I: No hay por qué gemir | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | F Major | 2 | 7B | 107 BPM | ||
Élégie | Dilyana Georgieva, Galina Apostolova | E Minor | 3 | 9A | 85 BPM | ||
Schumann: Liederkreis, Op. 39: No. 1, In der Fremde | Robert Schumann, Elisabeth Leonskaja, Brigitte Fassbaender | A Minor | 0 | 8A | 74 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge - Radio Edit | Edward Elgar, Gabrieli, Paul McCreesh, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM |
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