Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein made "Keyboard Concerto No. 1 in D Minor, BWV 1052: III. Allegro" available on 1957. Since Keyboard Concerto No. 1 in D Minor, BWV 1052: III. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Glenn Gould, George Frideric Handel, Glenn Gould, Paul Hindemith, Glenn Gould, Richard Strauss, Glenn Gould, Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: Piano Concertos Nos. 1 - 5 BWV 1052-1056 & No. 7 BWV 1058" album is number 3 out of 18. In terms of popularity, Keyboard Concerto No. 1 in D Minor, BWV 1052: III. Allegro is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Keyboard Concerto No. 1 in D Minor, BWV 1052: III. Allegro by Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto, Op. 42: IV. Giocoso (moderato) - 2015 Remastered Version | Arnold Schoenberg, Glenn Gould, Robert Craft, CBC Symphony Orchestra | B♭ Minor | 2 | 3A | 85 BPM | ||
Preludes, Op. 28: No. 23 in F Major, Moderato | Frédéric Chopin, Grigory Sokolov | F Major | 0 | 7B | 70 BPM | ||
Intermezzo No. 2 in A Major, Op. 118 - Andante teneramente - Remastered | Johannes Brahms, Glenn Gould | A Major | 0 | 11B | 73 BPM | ||
Kinderszenen, Op. 15: No. 10, Fast zu ernst | Robert Schumann, Vladimir Horowitz | A♭ Minor | 0 | 1A | 90 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: IV. Les Capricieuses | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 136 BPM | ||
Lyric Pieces Book IV, Op.47: No. 4 Halling | Edvard Grieg, Emil Gilels | D Major | 1 | 10B | 113 BPM | ||
Partita No. 2 in C Minor, BWV 826: IV. Sarabande | Johann Sebastian Bach, Glenn Gould | E♭ Major | 1 | 5B | 78 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Das Marienleben for Soprano & Piano (1922-23): I. Adagio - Allegro molto - Voice | Paul Hindemith, Glenn Gould | A Major | 0 | 11B | 86 BPM |
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