"Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto" by Claude Debussy, Michel Béroff was released on January 5, 2018. The duration of Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto is about 3 minutes long, at 3:25. Based on our data, "Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 16 in Debussy: Piano Works, Vol. 1 by Claude Debussy, Aldo Ciccolini, Cecile Ousset. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto by Claude Debussy, Michel Béroff is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM | ||
Liebestraum No. 3 in A-Flat Major, S. 541/3 | Franz Liszt, Khatia Buniatishvili | A♭ Major | 0 | 4B | 64 BPM | ||
Trois Romances sans paroles, Op. 17: 3. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Bagatelle in A minor, WoO 59 -"Für Elise" | Ludwig van Beethoven, Alfred Brendel | A Minor | 0 | 8A | 130 BPM | ||
Petite suite, L65: En bateau | Claude Debussy, Lestari Scholtes, Gwylim Janssens | G Major | 0 | 9B | 67 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra | B Major | 0 | 1B | 98 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Nocturnes, Op. 9: No. 1 in B-Flat Minor | Emma Czaplica | F♯ Major | 1 | 2B | 212 BPM | ||
Siren' (Lilacs), Op. 21, No. 5 | Sergei Rachmaninoff, Yevgeny Sudbin | A♭ Major | 0 | 4B | 71 BPM |
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