"Missa pro Defunctis (1544): Oratio - Dominus vobiscum" by Cristobal de Morales, Gabrieli, Paul McCreesh was released on January 1, 1998. With Missa pro Defunctis (1544): Oratio - Dominus vobiscum being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cristobal de Morales, Gabrieli, Paul McCreesh's "Morales: Requiem - Music for Philip II" album is number 5 out of 19. Missa pro Defunctis (1544): Oratio - Dominus vobiscum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro Defunctis (1544): Oratio - Dominus vobiscum by Cristobal de Morales, Gabrieli, Paul McCreesh to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Contre Qui, Rose | Nordic Chamber Choir - Nicol Matt | B♭ Minor | 0 | 3A | 81 BPM | ||
Inclina, Domine, aurem tuam: II. Deduc me, Domine | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | D♭ Minor | 1 | 12A | 81 BPM | ||
Frogg Galliard | Hopkinson Smith, John Dowland | G Major | 2 | 9B | 119 BPM | ||
Responsory: O felix anima | Hildegard von Bingen, Anonymous 4 | B♭ Minor | 0 | 3A | 103 BPM | ||
Tenebrae Responsories, Feria quinta: I. In monte Oliveti | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 80 BPM | ||
Great Ektenia | The Russian State Symphony Cappella | B♭ Major | 2 | 6B | 72 BPM | ||
Requiem canticorum: Pie Jesu | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 0 | 5B | 93 BPM | ||
Pavin of Albarti | Innocentio Alberti, The Rose Consort Of Viols | E Major | 0 | 12B | 78 BPM | ||
I Would Live in Your Love | Nathan Jones, Westminster Choir, Joe Miller | B♭ Major | 0 | 6B | 121 BPM | ||
Fantasy For 2 Trebles And Bass (From "The Broken Consort") | Matthew Locke, John Holloway, Monika Baer, Martin Zeller | B Major | 1 | 1B | 105 BPM |
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