"Romance: "Por Que Llorax Blanca Niña" (Sarajevo)" by Montserrat Figueras, Hespèrion XXI, Traditional was released on February 27, 2012. Since Romance: "Por Que Llorax Blanca Niña" (Sarajevo) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 36 in the song's album "The Voice of Emotion". In this album, this song's track order is #20. In terms of popularity, Romance: "Por Que Llorax Blanca Niña" (Sarajevo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romance: "Por Que Llorax Blanca Niña" (Sarajevo) by Montserrat Figueras, Hespèrion XXI, Traditional having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasy For 2 Trebles And Bass (From "The Broken Consort") | Matthew Locke, John Holloway, Monika Baer, Martin Zeller | B Major | 1 | 1B | 105 BPM | ||
Ego Flos Campi | Oxford Camerata, Jacob Clemens non Papa | F♯ Major | 0 | 2B | 139 BPM | ||
En el porta de Santiago ! : Canzon La Benedetta | Andrea Falconieri, Arianna Savall, La Fenice, Jean Tubéry | G Minor | 1 | 6A | 78 BPM | ||
Prélude pour le Magnificat à quatre voix, H. 533 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | D♭ Minor | 2 | 12A | 93 BPM | ||
Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Amour m'a le cuer mis en tel martire (ballade) | Anthonello de Caserta, Gérard Lesne, Alla Francesca | B♭ Minor | 0 | 3A | 80 BPM | ||
Tiento | Alonso Mudarra, Shirley Rumsey | F Major | 0 | 7B | 106 BPM | ||
Isaac: Optime Pastor - 1. Optime Divino | The Tallis Scholars, Peter Phillips | E Minor | 2 | 9A | 87 BPM | ||
Ricercar (69) | Francesco da Milano, Christopher Wilson | G Minor | 0 | 6A | 63 BPM |
Section: 0.6199893951416016
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