Henry Purcell, The English Guitar Quartet's 'Suite No. 1 from "The Fairy Queen": II. Rondeau' came out on 1990. With Suite No. 1 from "The Fairy Queen": II. Rondeau being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 20 in Baroque Guitar Quartets by The English Guitar Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Suite No. 1 from "The Fairy Queen": II. Rondeau is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 1 from "The Fairy Queen": II. Rondeau by Henry Purcell, The English Guitar Quartet is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in G Major: I. Largo | Johann Gottlieb Graun, Berliner Barock Compagney | F♯ Major | 1 | 2B | 97 BPM | ||
Concerto In F Major for Soprano Recorder & Strings: Allegro | Thierry Perenoud, The Baroque Soloists Of Amsterdam | E Major | 1 | 12B | 63 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Major | 0 | 1B | 129 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Dido and Aeneas, Z. 626: Act III: The Witches' Dance | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | A Major | 0 | 11B | 102 BPM | ||
Concerto No 7 in C major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Major | 3 | 1B | 125 BPM | ||
Asaggio - Arranged for Guitar by P.O. Johnson: Bourrée | Johan Helmich Roman, Göran Söllscher | B♭ Major | 2 | 6B | 93 BPM |
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