- BPM
- 85
- Key
- F♯ Major
- Camelot
- 2B
Traditional: I Saw a Maiden (After a Basque Noel, arr. Edgar Pettman) - Choir of King's College, Cambridge, David Willcocks Information
- Acousticness
- 100%
- Danceability
- 11%
- Energy
- 5%
- Instrumentalness
- 75%
- Liveness
- 10%
- Loudness
- 43%
- Speechiness
- 4%
- Valence
- 18%
- Popularity
- 15%
- Loudness
- -34.226 dB
Summary
"Traditional: I Saw a Maiden (After a Basque Noel, arr. Edgar Pettman)" by Choir of King's College, Cambridge, David Willcocks was released on September 19, 2003. The duration of Traditional: I Saw a Maiden (After a Basque Noel, arr. Edgar Pettman) is about 3 minutes long, at 3:05. Based on our data, "Traditional: I Saw a Maiden (After a Basque Noel, arr. Edgar Pettman)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 18 in Carols from King's by Choir of King's College, Cambridge, David Willcocks. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Traditional: I Saw a Maiden (After a Basque Noel, arr. Edgar Pettman) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Traditional: I Saw a Maiden (After a Basque Noel, arr. Edgar Pettman) BPM
The tempo marking of Traditional: I Saw a Maiden (After a Basque Noel, arr. Edgar Pettman) by Choir of King's College, Cambridge, David Willcocks is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Traditional: I Saw a Maiden (After a Basque Noel, arr. Edgar Pettman) Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | |
 | Angel-Voices Ever Singing (Angel Voices) | Edwin George Monk, Choir of King's College, Cambridge, Stephen Cleobury | C Major | 1 | 8B | 86 BPM | |
 | Ave Maria, WAB 6 | Anton Bruckner, Choir of King's College, Cambridge, Stephen Cleobury | F Major | 1 | 7B | 89 BPM | |
 | Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude" | Johann Sebastian Bach, Edward Higginbottom, Capricorn Ensemble, Choir of New College, Oxford | G Major | 1 | 9B | 76 BPM | |
 | Nocturnes: III. Sure On This Shining Night (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 105 BPM | |
 | Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | |
 | Hear my Prayer, O Lord, Z. 15 | Henry Purcell, Armonico Consort, Christopher Monks | C Major | 1 | 8B | 65 BPM | |
 | The Prince Of Denmark's March | Jeremiah Clarke, Simon Preston | D Major | 1 | 10B | 73 BPM | |
 | Bourgeois: All People That on Earth Do Dwell | Louis Bourgeois, Choir of King's College, Cambridge, The Wallace Collection, Benjamin Bayl, Stephen Cleobury | G Major | 2 | 9B | 72 BPM |
- ISRC
- GBAYC9104478
- Label
- L-M Records/RCA Records
Section: 0.5836918354034424
End: 0.5870285034179688