Joseph Haydn, Jean-Efflam Bavouzet made "Sonata No. 1 in G Major, Hob. XVI: 8: Sonata No. 1 in G Major, Hob. XVI: 8: II. Menuet" available on July 29, 2022. With Sonata No. 1 in G Major, Hob. XVI: 8: Sonata No. 1 in G Major, Hob. XVI: 8: II. Menuet being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Joseph Haydn, Jean-Efflam Bavouzet's "Haydn: Piano Sonatas, Vol. 11" album is number 2 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Sonata No. 1 in G Major, Hob. XVI: 8: Sonata No. 1 in G Major, Hob. XVI: 8: II. Menuet is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sonata No. 1 in G Major, Hob. XVI: 8: Sonata No. 1 in G Major, Hob. XVI: 8: II. Menuet by Joseph Haydn, Jean-Efflam Bavouzet to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Sonata No. 2 for Violin and Harpsichord in A Major, BWV 1015: IV. Presto | Johann Sebastian Bach, Lucy van Dael, Bob van Asperen | A♭ Major | 3 | 4B | 104 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
String Quartet No.6 In F Minor, Op.80, MWV R 37: 3. Adagio | Felix Mendelssohn, Emerson String Quartet | A♭ Major | 0 | 4B | 79 BPM | ||
Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM | ||
Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio | Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 0 | 11B | 71 BPM | ||
Symphony in A Major, Op. 24 No. 2, P. I:7: IV. Finale: Prestissimo | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 2 | 11B | 123 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: I. Carattere Espagnuolo | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | G Major | 1 | 9B | 107 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. Allegretto | Frédéric Chopin, Leif Ove Andsnes | E♭ Major | 0 | 5B | 148 BPM |
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