"Cello Concerto, Op. 81: I. Con moto moderato (1984 Version)" by Gunnar de Frumerie, Christian Lindberg, Bamberg Symphony, Leif Segerstam had its release date on January 31, 1988. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Romantic Trombone Concertos". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Sweden. The popularity of Cello Concerto, Op. 81: I. Con moto moderato (1984 Version) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto, Op. 81: I. Con moto moderato (1984 Version) by Gunnar de Frumerie, Christian Lindberg, Bamberg Symphony, Leif Segerstam having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petits rêves d’enfant: No. 1, Andantino | Théodore Dubois, Munich Radio Orchestra, Herve Niquet | F Major | 0 | 7B | 199 BPM | ||
Romanian Folk Dances, Sz. 68: No. 3, Pe loc | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Relaxing Sounds | Sergei Rachmaninoff, Wolfram Schmitt-Leonardy, Janacek Philharmonic Orchestra, Theodore Kuchar | B Major | 2 | 1B | 92 BPM | ||
Horn Concerto: I. With Energy | Bruce Broughton, William VerMeulen, London Symphony Orchestra, Jonathan Bloxham | C Minor | 3 | 5A | 91 BPM | ||
The Tempest: Suite No. 2, Op. 109: VII. The Naiads | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
Variasjoner over Med Jesus vil eg fara: III. Var 2 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Variations on a Theme by Haydn, Op. 56a: Var. 4, Andante con moto | Johannes Brahms, Yoel Levi, Atlanta Symphony Orchestra | E♭ Minor | 0 | 2A | 89 BPM | ||
Strings of Heaven | Johannes Brahms, Borika Van Den Booren, Berliner Symphoniker, Eduardo Marturet | F Major | 0 | 7B | 72 BPM | ||
Pastoral Suite, Op. 13b: I. Preludium | Gunnar de Frumerie, Gunilla von Bahr, Stockholm Chamber Ensemble, Jan-Olav Wedin | D Minor | 2 | 7A | 75 BPM | ||
Copland: Suite from Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM |