The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 3. Tableau 1: Gore, gore gradu Kitezhu
Nikolai Rimsky-Korsakov, Olga Korzhenskaya, Mariinsky Orchestra, Valery Gergiev
Rimsky-Korsakov: The Legend Of The Invisible City Of Kitezh
1:43 January 1, 1999
BPM
83
Key
C Minor
Camelot
5A

Embed

Share Link

The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 3. Tableau 1: Gore, gore gradu Kitezhu - Nikolai Rimsky-Korsakov, Olga Korzhenskaya, Mariinsky Orchestra, Valery Gergiev Information

Acousticness
96%
Danceability
46%
Energy
13%
Instrumentalness
0%
Liveness
73%
Loudness
62%
Speechiness
8%
Valence
24%
Popularity
Loudness
-22.969 dB

Summary

Nikolai Rimsky-Korsakov, Olga Korzhenskaya, Mariinsky Orchestra, Valery Gergiev's 'The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 3. Tableau 1: Gore, gore gradu Kitezhu' came out on January 1, 1999. With The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 3. Tableau 1: Gore, gore gradu Kitezhu being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 76 in the song's album "Rimsky-Korsakov: The Legend Of The Invisible City Of Kitezh". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 3. Tableau 1: Gore, gore gradu Kitezhu is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 3. Tableau 1: Gore, gore gradu Kitezhu BPM

With The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 3. Tableau 1: Gore, gore gradu Kitezhu by Nikolai Rimsky-Korsakov, Olga Korzhenskaya, Mariinsky Orchestra, Valery Gergiev having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 3. Tableau 1: Gore, gore gradu Kitezhu Key

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Capriccio brillant, Op. 22: Andante by Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony OrchestraCapriccio brillant, Op. 22: AndanteFelix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony OrchestraB Major01B91 BPM
El amor brujo: Ritual Fire Dance by Manuel de Falla, Fritz Reiner, Chicago Symphony OrchestraEl amor brujo: Ritual Fire DanceManuel de Falla, Fritz Reiner, Chicago Symphony OrchestraG Major19B134 BPM
Serenade for strings in E Minor, Op. 20 by Edward Elgar, Academy of St. Martin in the Fields, Sir Neville MarrinerSerenade for strings in E Minor, Op. 20Edward Elgar, Academy of St. Martin in the Fields, Sir Neville MarrinerE Minor19A81 BPM
Le roi s'amuse: Passepied by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: PassepiedLéo Delibes, Slovak Philharmonic, Ondrej LenardA Major111B88 BPM
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio by Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber OrchestraCello Concerto No. 1 in C Major, Hob. VIIb:1: II. AdagioFranz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber OrchestraF Major17B62 BPM
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo by Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith ClarkLes contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: IntermezzoJacques Offenbach, Slovak Radio Symphony Orchestra, Keith ClarkG Major19B93 BPM
Symphony No. 1 in E Minor, Op. 1: III. Scherzo: Vivace - Trio by Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre AnichanovSymphony No. 1 in E Minor, Op. 1: III. Scherzo: Vivace - TrioNikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre AnichanovE♭ Minor32A102 BPM
Don Quixote, Op. 35, TrV 184: Theme by Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine BullockDon Quixote, Op. 35, TrV 184: ThemeRichard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine BullockG Major09B129 BPM
Peter and the Wolf, Op. 67 (Without Narration): The Bird by Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej LenardPeter and the Wolf, Op. 67 (Without Narration): The BirdSergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej LenardC Major08B99 BPM
Polovetsian Dances from Prince Igor: Introduzione by Alexander Borodin, George Szell, Cleveland OrchestraPolovetsian Dances from Prince Igor: IntroduzioneAlexander Borodin, George Szell, Cleveland OrchestraA Major111B83 BPM
ISRC
NLA509807637
Label
L-M Records/RCA Records

Section: 0.6681020259857178

End: 0.6733150482177734