"Danse sacrée et danse profane, L. 103: 1. Danse sacrée" by Claude Debussy, Vera Badings, Royal Concertgebouw Orchestra, Bernard Haitink was released on January 1, 1986. With this song being about 5 minutes long, at 4:39, "Danse sacrée et danse profane, L. 103: 1. Danse sacrée" by Claude Debussy, Vera Badings, Royal Concertgebouw Orchestra, Bernard Haitink is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 11 in Bizet: Symphony in C; Jeux d'enfants / Debussy: Danses for Harp by Georges Bizet, Bernard Haitink, Royal Concertgebouw Orchestra, Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Danse sacrée et danse profane, L. 103: 1. Danse sacrée is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Danse sacrée et danse profane, L. 103: 1. Danse sacrée by Claude Debussy, Vera Badings, Royal Concertgebouw Orchestra, Bernard Haitink is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Estampes: I. Pagodes. Modérément animé | Claude Debussy, Alain Planès | B Major | 0 | 1B | 68 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen | Robert Schumann, Vladimir Horowitz | G Major | 0 | 9B | 70 BPM | ||
Songs My Mother Taught Me, Op.55 No.4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | D Major | 0 | 10B | 96 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
Janáček: On an Overgrown Path, Book I: No. 7, Good Night! | Leoš Janáček, Bertrand Chamayou | E Minor | 0 | 9A | 73 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Deux arabesques: Deux arabesques: I. Andantino con moto | Claude Debussy, Alain Planès | F♯ Minor | 1 | 11A | 72 BPM |
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