"Dum transisset Sabbatum I" by Christopher Tye, Laurence Dreyfus, Phantasm was released on September 22, 2017. The duration of Dum transisset Sabbatum I is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Dum transisset Sabbatum I's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Tye: Complete Consort Music". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Dum transisset Sabbatum I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dum transisset Sabbatum I by Christopher Tye, Laurence Dreyfus, Phantasm having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solo e pensoso | Luca Marenzio, Huelgas Ensemble, Paul Van Nevel | E Minor | 1 | 9A | 71 BPM | ||
Fantasia I | Luis de Milán, Shirley Rumsey | G Minor | 0 | 6A | 112 BPM | ||
Three Feminine Portraits - Lady Hunsdon's Allemande | Hopkinson Smith, John Dowland | B♭ Major | 2 | 6B | 80 BPM | ||
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Cantiones sacrae sex vocum: IV. Qui timet Deum | Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe | C Major | 2 | 8B | 78 BPM | ||
Tout par compas, Fol. 12 (Rondeau/Canon) | Baude Cordier, Tetraktys | E Minor | 9 | 9A | 135 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Missa super mon coeur se recomande: Sanctus | Philippe de Monte, Ensemble Freiberger Dom-Music, Chordae Freybergensis, Albrecht Koch | D♭ Major | 1 | 3B | 86 BPM |
Section: 0.5967941284179688
End: 0.5999550819396973