Marco Uccellini, Nicholas McGegan, The Arcadian Academy's 'Sonate, arie et correnti, Op. 3: Sonata IV detta "La Trasformata"' came out on November 10, 1993. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Uccellini: "La bergamasca"". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Sonate, arie et correnti, Op. 3: Sonata IV detta "La Trasformata" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonate, arie et correnti, Op. 3: Sonata IV detta "La Trasformata" by Marco Uccellini, Nicholas McGegan, The Arcadian Academy having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in A Minor, RV 86: I. Largo | Antonio Vivaldi, La Camerata de Paris | A♭ Minor | 1 | 1A | 66 BPM | ||
Sonata a 4 | Gabriele Usper, The Illyria Consort, Bojan Čičić, Gawain Glenton | F♯ Major | 2 | 2B | 86 BPM | ||
Sonate, arie et correnti, Op.3, RISM A/I: U 14: Aria quinta sopra la Bergamasca | Marco Uccellini, Dorothee Oberlinger, Dmitry Sinkovsky | D Major | 2 | 10B | 139 BPM | ||
Partie 5 en si bémol majeur: Courant | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 2 | 11B | 87 BPM | ||
Sonata No. 1, Book 3 | Marco Uccellini, Hélène Schmitt, Arno Jochem, Karl-Ernst Schröder, Markus Markl | D Major | 1 | 10B | 104 BPM | ||
Chiacona, Op. 3: Ciaccona (Arr. for Orchestra) | Tarquinio Merula, Tafelmusik Baroque Orchestra, Jeanne Lamon | E♭ Minor | 0 | 2A | 76 BPM | ||
Folias Americanas: II. Tango congo | Calixto Alvarez, Ensemble Vedado, Ronald Martin Alonso | F Major | 1 | 7B | 103 BPM | ||
Sinfonia to Santa Beatrice d'Este in D Minor, WoO 1: I. Grave | Arcangelo Corelli, Freiburger Barockorchester, Gottfried Von Der Goltz | F♯ Minor | 2 | 11A | 107 BPM | ||
Whitehall Minuet: Whitehall Minuet | John Playford, Wolfgang Katschner, Lautten Compagney | D♭ Minor | 2 | 12A | 105 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM |
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