Gaetano Donizetti, Ingvar Wixell, Dame Joan Sutherland, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge's 'Lucrezia Borgia / Act 1: Della Duchessa ai prieghi' came out on January 1, 1978. The duration of Lucrezia Borgia / Act 1: Della Duchessa ai prieghi is about 3 minutes long, at 3:15. Based on our data, "Lucrezia Borgia / Act 1: Della Duchessa ai prieghi" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 35 in Donizetti: Lucrezia Borgia by Gaetano Donizetti, Dame Joan Sutherland, Marilyn Horne, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Lucrezia Borgia / Act 1: Della Duchessa ai prieghi's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucrezia Borgia / Act 1: Della Duchessa ai prieghi by Gaetano Donizetti, Ingvar Wixell, Dame Joan Sutherland, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Lucia di Lammermoor / Act III: "Tu che a Dio spiegasti l'ali" | Gaetano Donizetti, Luciano Pavarotti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 9 | 7B | 90 BPM | ||
Tosca / Act I: "Ah, quegli occhi..." - "Qual occhio al mondo può star di paro" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 136 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Carmen, Act I: No.10 Séguidille et Duo : Près des ramparts de Séville (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 90 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Lucia di Lammermoor / Act 3: "Oh meschina!" | Gaetano Donizetti, Luciano Pavarotti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 0 | 4A | 167 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Don Pasquale: Act I: Ah! Un foco insolito | Gaetano Donizetti, Roberto Abbado | C Major | 1 | 8B | 112 BPM |
Section: 0.6853370666503906
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