George Macfarren, Nicky Spence, George Hulbert, Louis Hurst, Andrew Mackenzie-Wicks, John Molloy, Alex Knox, Kay Jordan, Magdalen Ashman, John Powell Singers, Victorian Opera Chorus, Victorian Opera Orchestra, Ronald Corp's 'Robin Hood: Act II Scene 1: Ballad: The grasping Normans (Robin, Greenwood men)' had a release date set for October 4, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Macfarren, Ronald Corp's "Macfarren: Robin Hood" album is number 14 out of 33. Robin Hood: Act II Scene 1: Ballad: The grasping Normans (Robin, Greenwood men) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Robin Hood: Act II Scene 1: Ballad: The grasping Normans (Robin, Greenwood men) by George Macfarren, Nicky Spence, George Hulbert, Louis Hurst, Andrew Mackenzie-Wicks, John Molloy, Alex Knox, Kay Jordan, Magdalen Ashman, John Powell Singers, Victorian Opera Chorus, Victorian Opera Orchestra, Ronald Corp to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Rock Of Ages | London Philharmonic Choir | D Major | 1 | 10B | 96 BPM | ||
Will There Really Be a "Morning"? | Patrick Vu | E Major | 1 | 12B | 77 BPM | ||
Let Your Soul Rejoice | Archangel Voices | F Major | 0 | 7B | 134 BPM | ||
Seven Songs: I. I Have a Bird | Sally Beamish, Emily Dickinson, The St Catharine's Girls' Choir, Cambridge, Edward Wickham | G Major | 0 | 9B | 76 BPM | ||
Mass for Double Choir: Gloria | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Minor | 1 | 7A | 86 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
A Seed of Wheat | Tobias Lowry, Tapestry Chamber Singers | F♯ Major | 1 | 2B | 87 BPM | ||
Psalm 16 "Preserve Me, O God, for in Thee Have I Put My Trust" | William Crotch, St Davids Cathedral Choir, Simon Pearce, Daniel Cook | A Major | 1 | 11B | 67 BPM | ||
The Way Through the Woods | Anna Disley-Simpson, National Youth Choir Of Great Britain, Ben Parry | D Major | 0 | 10B | 184 BPM |