"3 Pastels: No. 2. The Boy Bishop" by John Ireland, Mark Bebbington was released on February 1, 2014. With this song being about 5 minutes long, at 4:40, "3 Pastels: No. 2. The Boy Bishop" by John Ireland, Mark Bebbington is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Ireland, Mark Bebbington's "J. Ireland: Piano Music, Vol. 4" album is number 3 out of 20. On top of that, United States appears to be the country where this track was created. 3 Pastels: No. 2. The Boy Bishop is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Pastels: No. 2. The Boy Bishop by John Ireland, Mark Bebbington to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
She Weeps Over Rahoon | Eric Whitacre, Westminster Williamson Voices, Corey Everly, Nick Masterson, James Jordan | C Major | 0 | 8B | 79 BPM | ||
St. Patrick's Breastplate "I Bind unto Myself Today" (Version for Choir & Organ) | Charles Villiers Stanford, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | G Minor | 2 | 6A | 72 BPM | ||
A Downland Suite: III. Minuet | John Ireland, English String Orchestra, William Boughton | B♭ Major | 0 | 6B | 116 BPM | ||
The Mission Chorales: Chorale 5 | George Martin, Berlin Music Ensemble, Craig Leon | E Minor | 1 | 9A | 116 BPM | ||
The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 124 BPM | ||
Laudate Nomen | Christopher Tye, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
Wana Baraka | The Concordia Choir | D Major | 1 | 10B | 81 BPM | ||
MAGNIFICAT: VI. Suscepit Israel | Kim André Arnesen, Anita Brevik, Nidarosdomens jentekor, TrondheimSolistene, Lise Granden Berg, Cecilie Ertzaas Overrein, Maria Næss, Øyvind Gimse | B♭ Major | 1 | 6B | 72 BPM | ||
O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 81 BPM | ||
Christus factus est, WAB 11 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | D Major | 2 | 10B | 116 BPM |
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