"San Francesco di Sales, Pt. 1: Questo che spirano" by Francesco Feo, Luca Tittoto, Stuttgart Chamber Orchestra was released on March 23, 2018. Since San Francesco di Sales, Pt. 1: Questo che spirano is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 38 in Feo: San Francesco di Sales by Francesco Feo, Stuttgart Chamber Orchestra, Fabio Biondi. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. The popularity of San Francesco di Sales, Pt. 1: Questo che spirano is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of San Francesco di Sales, Pt. 1: Questo che spirano by Francesco Feo, Luca Tittoto, Stuttgart Chamber Orchestra is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: III. Allegro assai | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | ||
Fago: Tam non splendet sol creatus: IV. "Alleluia" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 4 | 12B | 124 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Christine Pichlmeier, Lisa Stewart, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 0 | 8B | 120 BPM | ||
Concerto grosso No. 9 in F Major, Op. 6: II. Allemanda (Allegro) | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo | E Major | 3 | 12B | 114 BPM | ||
Sei Concerti in sette parti: No. 3 in F Major: V. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | B Major | 5 | 1B | 82 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Chacony in G minor Z730 | Henry Purcell, Accademia Bizantina, Stefano Montanari | F♯ Major | 2 | 2B | 37 BPM | ||
Fago: Confitebor tibi Domine: I. "Confitebor tibi Domine" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 90 BPM | ||
Zoroastre, RCT 62, Act I, Scène III: Air tendre en rendeau | Jean-Philippe Rameau, Teodor Currentzis | F♯ Minor | 0 | 11A | 171 BPM | ||
Membra Jesu nostri, BuxWV 75: Ad pectus. Sicut modo geniti infantes rationabiles | Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin | C Major | 2 | 8B | 79 BPM |
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