"La Pasión según San Mateo, BWV 244: No. 39, Erbarme dich, mein Gott" by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín was released on March 22, 1981. Since La Pasión según San Mateo, BWV 244: No. 39, Erbarme dich, mein Gott is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 10 in Bach: La Pasión según San Mateo, BWV 244 (Selección) by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, La Pasión según San Mateo, BWV 244: No. 39, Erbarme dich, mein Gott is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Pasión según San Mateo, BWV 244: No. 39, Erbarme dich, mein Gott by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: Offertorium. Prélude religieux | Gioachino Rossini, Christophe Henry, Orchestre de chambre de Paris, Ottavio Dantone | D♭ Major | 0 | 3B | 89 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
Mozart: Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Herbert von Karajan, Philharmonia Orchestra, Wiener Singverein | D Major | 0 | 10B | 74 BPM | ||
Concerto For Violin And Orchestra | Various Artists | D Major | 5 | 10B | 144 BPM | ||
Concierto Para Flauta En Fa Mayor Op 10/5. Allegro II | Filarmónica Y Coro De Praga | F Major | 1 | 7B | 106 BPM | ||
Mass in D Major, Op. 86: V. Agnus Dei | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
King Arthur, Z. 628, Act I: No. 1, Overture | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F Major | 0 | 7B | 112 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | A♭ Major | 1 | 4B | 105 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM |
Section: 1.1624269485473633
End: 1.1672117710113525