Wolfgang Amadeus Mozart, Mojca Erdmann, Hélène Grimaud, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc's 'Ch'io mi scordi di te... Non temer, amato bene, K. 505 - (Varesco): Alme belle, che vedete' came out on January 1, 2011. With this song being about 5 minutes long, at 5:06, "Ch'io mi scordi di te... Non temer, amato bene, K. 505 - (Varesco): Alme belle, che vedete" by Wolfgang Amadeus Mozart, Mojca Erdmann, Hélène Grimaud, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists, Wolfgang Amadeus Mozart, Hélène Grimaud, Mojca Erdmann, Chamber Orchestra of the Bavarian Radio's "Mozart" album is number 6 out of 9. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Ch'io mi scordi di te... Non temer, amato bene, K. 505 - (Varesco): Alme belle, che vedete's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ch'io mi scordi di te... Non temer, amato bene, K. 505 - (Varesco): Alme belle, che vedete by Wolfgang Amadeus Mozart, Mojca Erdmann, Hélène Grimaud, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6 | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 73 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Schumann: Bunte Blätter, Op. 99: No. 6, Albumblätter III | Robert Schumann, Maria João Pires | A♭ Major | 0 | 4B | 91 BPM | ||
Violin Concerto No. 3 in G, K.216: 2. Adagio | Wolfgang Amadeus Mozart, Franco Gulli, Giuliano Carmignola, Orchestra Mozart, Claudio Abbado | A Major | 0 | 11B | 104 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
Concerto for Flute, Harp, and Orchestra in C, K.299: 2. Andantino | Wolfgang Amadeus Mozart, Osian Ellis, Karl-Hermann Pillney, Kenneth Smith, Bryn Lewis, Philharmonia Orchestra, Giuseppe Sinopoli | F Major | 1 | 7B | 94 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM |
Section: 0.633795976638794
End: 0.6386454105377197