"The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25a. Pas de quatre: Adagio" by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev was released on January 1, 1994. The duration of The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25a. Pas de quatre: Adagio is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25a. Pas de quatre: Adagio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Tschaikowsky, Dornröschen". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Netherlands. The popularity of The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25a. Pas de quatre: Adagio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25a. Pas de quatre: Adagio by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, Op. 9: No. 1 in B flat major. Larghetto | Frédéric Chopin, Brigitte Engerer | B♭ Minor | 0 | 3A | 72 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
The Sleeping Beauty, Op. 66, TH 13: Valse | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 105 BPM | ||
Final Scene - Tatiana Rejects Onegin (Onegin Ballet Suite No 28) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | B♭ Minor | 1 | 3A | 94 BPM | ||
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major | Franz Liszt, Jenő Jandó | A♭ Major | 0 | 4B | 60 BPM | ||
Concerto Grosso No. 8 in G Minor, Op. 6, "Christmas Concerto": Allegro | Arcangelo Corelli, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 73 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM |
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