Robert Schumann, Daniel Barenboim's 'Carnaval, Op.9: 10. A.S.C.H.-S.C.H.A. (Lettres dansantes)' came out on January 1, 1991. With Carnaval, Op.9: 10. A.S.C.H.-S.C.H.A. (Lettres dansantes) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 39 in the song's album "Schumann: Kinderszenen op.15 / Faschingsschwank op.26 / Carnaval op.9". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Germany. Based on our statistics, Carnaval, Op.9: 10. A.S.C.H.-S.C.H.A. (Lettres dansantes)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carnaval, Op.9: 10. A.S.C.H.-S.C.H.A. (Lettres dansantes) by Robert Schumann, Daniel Barenboim having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse héroïque, CD 140 | Claude Debussy, Steven Osborne | D♭ Major | 0 | 3B | 54 BPM | ||
Piano Sonata in A-Flat Major, Op. 19, BB 12, DD 51: I. Allegro | Béla Bartók, Goran Filipec | E Major | 1 | 12B | 141 BPM | ||
Etudes for Piano, Op. 740: No. 11 in F Major | Carl Czerny, Irina Smorodinova | F Minor | 1 | 4A | 117 BPM | ||
Evening Tambo Beats | Tangolicious Ya | C Minor | 1 | 5A | 120 BPM | ||
Dolly Suite, Op. 56: VI. Le pas espagnol | Gabriel Fauré, Kathryn Stott, Martin Roscoe | D♭ Minor | 1 | 12A | 81 BPM | ||
Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): II. Fugue | Johann Sebastian Bach, Hamish Milne | D Minor | 1 | 7A | 114 BPM | ||
O, Cease Thy Singing (Oh Never Sing to Me Again), Op. 4 No. 4 | Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta | G Major | 2 | 9B | 87 BPM | ||
Händel Variations & Fugue, Op. 24: Variation XXI. Dolce | Johannes Brahms, Nino Gvetadze | D♭ Minor | 0 | 12A | 82 BPM | ||
8 Pieces, Op. 99: No. 4: Impromptu | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Nocturne No.12 In G, Op.37 No.2 | Frédéric Chopin, Daniel Barenboim | G Major | 0 | 9B | 67 BPM |
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