Davidsbündlertänze, Op. 6: 1. Lebhaft - Murray Perahia Information

Acousticness
99%
Danceability
34%
Energy
5%
Instrumentalness
92%
Liveness
16%
Loudness
60%
Speechiness
4%
Valence
21%
Popularity
Loudness
-23.755 dB

Summary

Murray Perahia's 'Davidsbündlertänze, Op. 6: 1. Lebhaft' came out on 1973. With Davidsbündlertänze, Op. 6: 1. Lebhaft being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 59 in the song's album "Original Album Classics - Murray Perahia". In this album, this song's track order is #1. Davidsbündlertänze, Op. 6: 1. Lebhaft is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Davidsbündlertänze, Op. 6: 1. Lebhaft BPM

With Davidsbündlertänze, Op. 6: 1. Lebhaft by Murray Perahia having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Davidsbündlertänze, Op. 6: 1. Lebhaft Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto by Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic OrchestraSinfonia In G Major, Wq. 183/4, H. 666: III. PrestoCarl Philipp Emanuel Bach, Salzburg Chamber Philharmonic OrchestraA Minor28A80 BPM
Violin Concerto in G Major (completed by G. Rose): II. Adagio by Johann Nepomuk Hummel, Alexander Trostianski, Russian Philharmonic Orchestra, Gregory RoseViolin Concerto in G Major (completed by G. Rose): II. AdagioJohann Nepomuk Hummel, Alexander Trostianski, Russian Philharmonic Orchestra, Gregory RoseG Major19B92 BPM
Keyboard Sonatina In D Major, Op. 36, No. 6: II. Rondo: Allegretto Spiritoso by Muzio Clementi, Balazs SzokolayKeyboard Sonatina In D Major, Op. 36, No. 6: II. Rondo: Allegretto SpiritosoMuzio Clementi, Balazs SzokolayD Major210B123 BPM
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String Quartet No. 14 in G Major, K. 387: III. Andante cantabile by Eder QuartetString Quartet No. 14 in G Major, K. 387: III. Andante cantabileEder QuartetC Major08B65 BPM
Nocturne No. 1 in E-Flat Major by John Field, Benjamin FrithNocturne No. 1 in E-Flat MajorJohn Field, Benjamin FrithE♭ Major05B73 BPM
Intermezzi, Op. 117: 2. In B-Flat Minor by Johannes Brahms, Radu LupuIntermezzi, Op. 117: 2. In B-Flat MinorJohannes Brahms, Radu LupuB♭ Minor03A70 BPM
Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale: Andante - Allegro by Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo JärviViolin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale: Andante - AllegroHenri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo JärviD Major210B78 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6088569164276123

End: 0.6129727363586426