"Der fliegende Holländer, WWV 63 / Act 3: "Willst jenen Tag du nicht dich mehr entsinnen"" by Richard Wagner, René Kollo, Chicago Symphony Orchestra, Sir Georg Solti was released on January 1, 2012. The duration of Der fliegende Holländer, WWV 63 / Act 3: "Willst jenen Tag du nicht dich mehr entsinnen" is about 3 minutes long, at 3:24. Based on our data, "Der fliegende Holländer, WWV 63 / Act 3: "Willst jenen Tag du nicht dich mehr entsinnen"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #12. Der fliegende Holländer, WWV 63 / Act 3: "Willst jenen Tag du nicht dich mehr entsinnen" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der fliegende Holländer, WWV 63 / Act 3: "Willst jenen Tag du nicht dich mehr entsinnen" by Richard Wagner, René Kollo, Chicago Symphony Orchestra, Sir Georg Solti having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Rheingold / Erste Szene: "Lugt, Schwestern! Die Weckerin lacht in den Grund" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 108 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker | E♭ Major | 4 | 5B | 80 BPM | ||
3 Bavarian Dances: No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Minor | 2 | 11A | 145 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM | ||
Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 139 BPM | ||
Symphony No. 1 in D Major: 3. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM | ||
Das Liebesverbot, WWV 38, Act II: Act II: Recitative: So sei's! Fur seinen feigen Wankelmut (Isabella) | Richard Wagner, Hermann Prey, Wolfgang Fassler, Robert Schunk, Friedrich Lenz, Kieth Engen, Sabine Hass, Pamela Coburn, Alfred Kuhn, Raimund Grumbach, Marianne Seibel, Hermann Sapell, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Wolfgang Sawallisch | B Major | 1 | 1B | 139 BPM |
Section: 0.8888692855834961
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