Francesco Geminiani, Academy of Ancient Music, Andrew Manze's 'Concerto XII in D Minor "Follia": Variations 9-14' came out on 1999. The duration of Concerto XII in D Minor "Follia": Variations 9-14 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Concerto XII in D Minor "Follia": Variations 9-14's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francesco Geminiani, Academy of Ancient Music, Andrew Manze's "Geminiani: Concerti grossi (after Corelli, Op.5)" album is number 24 out of 59. On top of that, United States appears to be the country where this track was created. Concerto XII in D Minor "Follia": Variations 9-14 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto XII in D Minor "Follia": Variations 9-14 by Francesco Geminiani, Academy of Ancient Music, Andrew Manze to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a 5 in C Major, Op. 9, No. 9: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 107 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Concerto 4 in F Major, Op. 7: III. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 3 | 12B | 100 BPM | ||
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": V. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 129 BPM | ||
Abdelazar Suite, Z. 570: VIII. Hornpipe | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto In Do maggiore: Allegro Molto | Modo Antiquo | F♯ Major | 1 | 2B | 123 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | B Minor | 3 | 10A | 119 BPM | ||
Adagio & Fugue | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 114 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: IV. Les Capricieuses | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 136 BPM |
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