Michel Richard Delalande, Eric Latour, Janka Speglitz, Philippe Emanuel Haas's 'Three Pieces for Flute and Continuo' came out on December 20, 2019. With this song being about 5 minutes long, at 5:12, "Three Pieces for Flute and Continuo" by Michel Richard Delalande, Eric Latour, Janka Speglitz, Philippe Emanuel Haas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 101 in Flute Masterpieces 101 by Various Artists. In terms of popularity, Three Pieces for Flute and Continuo is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Three Pieces for Flute and Continuo by Michel Richard Delalande, Eric Latour, Janka Speglitz, Philippe Emanuel Haas is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marais: Pièces en trio: Suite No. 1 en do majeur: VII. Gavotte | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: IV. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Te deum, LWV 55: IV. Patrem immensae majestatis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Fürwahr, er trug unsere Krankheit, BuxWV 31 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hayat Chaoui, Hanna Kopra, Immo Schroder, Michiel Meijer | A Major | 0 | 11B | 77 BPM | ||
Te Deum: VII. Tu ad dexteram Dei sedes | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Airs for the Autumn: Marvel of Peru: III. Musette: Allegro moderato | James Oswald, The Broadside Band | F♯ Major | 1 | 2B | 72 BPM | ||
Prima d’esservi infedele, H. 578: Aria. Prima d’esservi infedele (I) | Alessandro Scarlatti, Valeria La Grotta, Quartetto Vanvitelli | D♭ Minor | 1 | 12A | 137 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
Trio Sonata No. 3 in C Major: I. Vivace | Daniel Purcell, Le Tresor d'Orphee | B Major | 2 | 1B | 80 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: V. Flaterie | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Major | 1 | 2B | 73 BPM |
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