On 1957, the song "Partita No. 6 in E minor, BWV 830: VI. Tempo di Gavotta" was released by Johann Sebastian Bach, Glenn Gould. With Partita No. 6 in E minor, BWV 830: VI. Tempo di Gavotta being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 13 out of 90. Based on our statistics, Partita No. 6 in E minor, BWV 830: VI. Tempo di Gavotta's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Partita No. 6 in E minor, BWV 830: VI. Tempo di Gavotta by Johann Sebastian Bach, Glenn Gould to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Mazurka No.5 in B Flat, Op.7 No.1 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 1 | 6B | 115 BPM | ||
Musical Characteristics, Op. 19: V. Prelude 1 alla Mozart | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 68 BPM | ||
Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): IV. Allegro | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A♭ Minor | 4 | 1A | 109 BPM | ||
Partita No. 5 in G Major, BWV 829: VII. Gigue | Johann Sebastian Bach, Glenn Gould | E Minor | 3 | 9A | 124 BPM | ||
Sonata in A minor "Württembergische Sonate" No. 1, Wq. 49 No. 1 (H. 30): III. Allegro assai | Carl Philipp Emanuel Bach, Glenn Gould | C Major | 3 | 8B | 112 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Concerto for Strings and Continuo in G minor, R. 156: 2. Adagio | Antonio Vivaldi, The English Concert, Trevor Pinnock | F♯ Minor | 2 | 11A | 124 BPM | ||
Three Sonatines for Piano, Op. 67: Sonatina No.2 in E Major: II. Andantino - Remastered | Jean Sibelius, Glenn Gould | E Major | 0 | 12B | 134 BPM | ||
Suite en La: Quatrième double | Jean-Philippe Rameau, Alexandre Tharaud | C Major | 2 | 8B | 115 BPM |
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