- BPM
- 74
- Key
- A♭ Major
- Camelot
- 4B
Prélude, Aria Et Final Cff 26: Aria Et Final - Duo-Art 058 Br - César Franck, Peter Phillips, Michael von Zadora Information
- Acousticness
- 99%
- Danceability
- 28%
- Energy
- 4%
- Instrumentalness
- 90%
- Liveness
- 11%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 0%
- Loudness
- -23.434 dB
Summary
"Prélude, Aria Et Final Cff 26: Aria Et Final - Duo-Art 058 Br" by César Franck, Peter Phillips, Michael von Zadora was released on May 23, 2023. With this song being about 5 minutes long, at 4:53, "Prélude, Aria Et Final Cff 26: Aria Et Final - Duo-Art 058 Br" by César Franck, Peter Phillips, Michael von Zadora is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 8 in Barcarolle. Piano Evocations from the Golden Age by Peter Phillips, Alexander Borodin, John Ireland, Frederick Delius, Pyotr Ilyich Tchaikovsky, Charles-Valentin Alkan, César Franck, Manuel de Falla. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Prélude, Aria Et Final Cff 26: Aria Et Final - Duo-Art 058 Br is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Prélude, Aria Et Final Cff 26: Aria Et Final - Duo-Art 058 Br BPM
The tempo marking of Prélude, Aria Et Final Cff 26: Aria Et Final - Duo-Art 058 Br by César Franck, Peter Phillips, Michael von Zadora is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Prélude, Aria Et Final Cff 26: Aria Et Final - Duo-Art 058 Br Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | Lyric Pieces, Op.71: VII. Efterklang - Tempo di valse | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 77 BPM | |
 | Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | |
 | 10 Pieces, Op. 12: No. 7. Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 77 BPM | |
 | 3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | |
 | Chopin: 12 Etudes, Op. 25: No. 1 in A-Flat Major, "Aeolian Harp" | Frédéric Chopin, Nikolai Lugansky | A♭ Major | 0 | 4B | 66 BPM | |
 | Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 69 BPM | |
 | Sonata for Violin and Piano in A Major: Allegretto ben moderato | César Franck, Ray Chen | A Major | 0 | 11B | 60 BPM | |
 | Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | |
 | Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM |
- ISRC
- DEPI82308083
- Label
- L-M Records/RCA Records
Section: 0.776179313659668
End: 0.7799332141876221