Slovak Philharmonic made "Serenade No. 13 in G Major, K. 525 (Eine kleine Nachtmusik): I. Allegro" available on May 17, 2011. Since Serenade No. 13 in G Major, K. 525 (Eine kleine Nachtmusik): I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 56 in the song's album "The Extended Music of Amadeus". In this album, this song's track order is #1. Based on our statistics, Serenade No. 13 in G Major, K. 525 (Eine kleine Nachtmusik): I. Allegro's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Serenade No. 13 in G Major, K. 525 (Eine kleine Nachtmusik): I. Allegro by Slovak Philharmonic having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | D Minor | 2 | 7A | 84 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Carmina Burana: Fortune plango vulnera | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | B♭ Major | 2 | 6B | 134 BPM | ||
The Godfather: V. Love Theme | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | D♭ Major | 1 | 3B | 88 BPM | ||
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | ||
Offertorium | Gabriel Fauré, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak Philharmonic | D Major | 0 | 10B | 72 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Concerto Grosso, Op. 6: No. 3 in E Minor, HWV 321: I. Larghetto | George Frideric Handel, Oliver von Dohnanyi, Slovak Philharmonic | F Major | 4 | 7B | 95 BPM | ||
Flower duet from Lakme - Remasterisé en 1987 | Léo Delibes, Orchestre Du Théatre National De L'Opéra Comique - Alain Lombard - Mady Mesple - Danielle Millet, Alain Lombard | B Major | 0 | 1B | 0 BPM |
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