"Sara: No. 4, Sara" by Kiyoshi Nobutoki, Sadanori Masui, Kazuhiro Gambe was released on October 5, 2018. The duration of Sara: No. 4, Sara is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Sara: No. 4, Sara's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Sadanori Masui Favorites". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Japan. Based on our statistics, Sara: No. 4, Sara's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sara: No. 4, Sara by Kiyoshi Nobutoki, Sadanori Masui, Kazuhiro Gambe having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Lieder, Op. 49: No. 4, Wiegenlied | Johannes Brahms, Anna Lucia Richter (mezzo-soprano); Ammiel Bushakevitz (piano), Ammiel Bushakevitz | C Major | 0 | 8B | 124 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
Mädchenblumen, Op. 22, TrV 153: No. 4, Wasserrose | Richard Strauss, Hanna-Elisabeth Müller, Juliane Ruf | B♭ Major | 0 | 6B | 76 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Da zu dir der Heiland kam" | Richard Wagner, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 67 BPM | ||
The Sleeping Emperor | Ludwig van Beethoven, Shoko Sugitani, Berliner Symphoniker, Gerard Oskamp | B Major | 0 | 1B | 132 BPM | ||
Stabat Mater: Stabat Mater: II. Cujus animam gementem | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | B♭ Minor | 3 | 3A | 184 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Dies, nox et omnia | Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 0 | 11B | 135 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D♭ Major | 1 | 3B | 79 BPM |
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