"Psaume 18 "Tes paroles, Seigneur, sont esprit" (3e dimanche du temps ordinaire, année C)" by Chœur Orphée, Olivier Clément was released on November 2, 2018. With Psaume 18 "Tes paroles, Seigneur, sont esprit" (3e dimanche du temps ordinaire, année C) being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 51 in the song's album "Nouvelles antiennes pour les psaumes des dimanches et fêtes, année C". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. Psaume 18 "Tes paroles, Seigneur, sont esprit" (3e dimanche du temps ordinaire, année C) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psaume 18 "Tes paroles, Seigneur, sont esprit" (3e dimanche du temps ordinaire, année C) by Chœur Orphée, Olivier Clément having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agnus Dei I | Nova Schola Gregoriana, Alberto Turco, Alessio Randon | F Major | 0 | 7B | 172 BPM | ||
Gaude, mater Polonia (Polish, 13th century) | Early Music New York | F Major | 1 | 7B | 70 BPM | ||
Sfinte Dumnezeule (Palasis) / Holy God (Palasis) | Byzantion | D Major | 1 | 10B | 56 BPM | ||
Bozicni tropar | Pukovet | E Major | 2 | 12B | 130 BPM | ||
Exsurge, Quare Obdormis, Domine | Benedictine Monks of Notre Dame | G Major | 1 | 9B | 70 BPM | ||
Psaume 144 "Mon Dieu, mon roi, je bénirai ton nom toujours et à jamais !" (14e dimanche du temps ordinaire, année A) | Chœur Orphée, Olivier Clément | B Minor | 0 | 10A | 99 BPM | ||
Deus in Adjutorium: Viri Galilaei | Cantarte Regensburg | G Major | 1 | 9B | 136 BPM | ||
Domingo de Quasimodo: Kyrie VI ad lib (7º - 8º modo) | Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | A Major | 6 | 11B | 106 BPM | ||
Come, Follow After Me | The Schola Cantorum of St. Peter the Apostle, J Michael Thompson | E♭ Major | 1 | 5B | 139 BPM | ||
Te Proclamare por Siempre Señor | Monjes Del Monasterio De San Pedro | B Minor | 2 | 10A | 102 BPM |
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