On January 1, 1962, the song "Domingo de Quasimodo: Kyrie VI ad lib (7º - 8º modo)" was released by Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard. The duration of Domingo de Quasimodo: Kyrie VI ad lib (7º - 8º modo) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Domingo de Quasimodo: Kyrie VI ad lib (7º - 8º modo)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 14 in Chant Gregorien: Misas del Tiempo Pascual by Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Domingo de Quasimodo: Kyrie VI ad lib (7º - 8º modo) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Domingo de Quasimodo: Kyrie VI ad lib (7º - 8º modo) by Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aurora Surgit Aurea | Benedyktyni Opactwa Tynieckiego | E Major | 1 | 12B | 81 BPM | ||
Christus Factus | Abadia da Ressurreição | E Major | 1 | 12B | 127 BPM | ||
Tractus, Regina Caeli Solemne | Choir of Beirut | F Major | 0 | 7B | 124 BPM | ||
Del Kyriale: Sanctus del Tono VIII | Pro Musica Gregoriana | A♭ Minor | 1 | 1A | 121 BPM | ||
Quinto Domingo Después de Pascua: Aleluya: Surrexit Christus (1er. modo) | Popular, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | F Major | 2 | 7B | 104 BPM | ||
Quinto Domingo Después de Pascua: Responso: Christus Resurgens (2º modo) | Popular, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | F Major | 2 | 7B | 104 BPM | ||
Alabaremos Tu Nombre | Monjes Del Monasterio De San Pedro | E Minor | 3 | 9A | 73 BPM | ||
Cantemus Domino | Coro dei monaci dell'Abbazia di Chiaravalle milanese, Giuseppe Gaffurini | F Major | 1 | 7B | 132 BPM | ||
In I Vesperis: Antiphona. Ex quo omnia | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
Feria quarta: Introit. Venite benedicti | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | E Minor | 0 | 9A | 72 BPM |
Section: 0.4447906017303467
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