"Uspud (Ballet Chrétien en 3 Actes): Troisième Acte" by Erik Satie, Jean-Yves Thibaudet was released on December 27, 2021. Since Uspud (Ballet Chrétien en 3 Actes): Troisième Acte is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 190 out of 195 in Classical for Winter: Satie by Erik Satie, Various Artists. Based on our statistics, Uspud (Ballet Chrétien en 3 Actes): Troisième Acte's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Uspud (Ballet Chrétien en 3 Actes): Troisième Acte by Erik Satie, Jean-Yves Thibaudet is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: VII. Courant Limpide | Franz Burgmüller, Benedikt David | D Major | 1 | 10B | 134 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Bagatelle No. 25 in A Minor, "Für Elise", WoO 59 | Lang Lang | A Minor | 0 | 8A | 133 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Gnossienne: No. 1 | Erik Satie, Alexandre Tharaud | F Minor | 0 | 4A | 124 BPM | ||
Sur le fil | Jeroen van Veen | E Minor | 0 | 9A | 77 BPM | ||
Mazurka Op. 67 No. 2 For Piano | Arthur Rubinstein | B♭ Major | 2 | 6B | 51 BPM |
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