J. S. Bach: Matthäus-Passion/Zweiter Teil/Geduld (Arie) - Gewandhausorchester Leipzig, Hans-Joachim Rotzsch, Erhard Mauersberger, Rudolf Mauersberger Information

Acousticness: 98%
Danceability: 31%
Energy: 6%
Instrumentalness: 10%
Liveness: 11%
Loudness: 59%
Speechiness: 5%
Valence: 22%
Popularity: 1%
Loudness: -24.454 dB

Summary

Gewandhausorchester Leipzig, Hans-Joachim Rotzsch, Erhard Mauersberger, Rudolf Mauersberger's 'J. S. Bach: Matthäus-Passion/Zweiter Teil/Geduld (Arie)' came out on 1975. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gewandhausorchester Leipzig's "Johann Sebastian Bach: Matthäus-Passion" album is number 35 out of 68. In terms of popularity, J. S. Bach: Matthäus-Passion/Zweiter Teil/Geduld (Arie) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

J. S. Bach: Matthäus-Passion/Zweiter Teil/Geduld (Arie) BPM

We consider the tempo marking of J. S. Bach: Matthäus-Passion/Zweiter Teil/Geduld (Arie) by Gewandhausorchester Leipzig, Hans-Joachim Rotzsch, Erhard Mauersberger, Rudolf Mauersberger to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

J. S. Bach: Matthäus-Passion/Zweiter Teil/Geduld (Arie) Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto in E Major, BWV 1042: I. Allegro	Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De Stoutz	E Major	2	12B	183 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	E♭ Major	1	5B	103 BPM
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano)	Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips	A Major	0	11B	79 BPM
Sonata in E Major, Kk. 20: Presto	Domenico Scarlatti, Ivo Pogorelich	E Major	0	12B	130 BPM
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato	Lang Lang	F Minor	1	4A	128 BPM
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino	Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel	B♭ Major	0	6B	0 BPM
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto	Carl Philipp Emanuel Bach, Ana-Marija Markovina	A Major	1	11B	0 BPM
Keyboard Suite No. 5 in E Major, HWV 430: IV. Air and Doubles ("Harmonious Blacksmith")	George Frideric Handel, Philip Edward Fisher	E Major	1	12B	126 BPM
Cello Suite No. 6 in D Major, BWV 1012: V. Gavottes I & II	Johann Sebastian Bach, Yo-Yo Ma	D Major	1	10B	81 BPM
Nocturne No. 1 in E Flat Major, H.24	John Field, Elizabeth Joy Roe	E♭ Major	0	5B	75 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6715085506439209

End: 0.6761953830718994