"Clarinet Sonata No. 2 in E-Flat Major, Op. 120: I. Allegro amabile" by Johannes Brahms, Jon Manasse, Jon Nakamatsu was released on January 8, 2008. Since Clarinet Sonata No. 2 in E-Flat Major, Op. 120: I. Allegro amabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 7 in Brahms: Clarinet Sonatas Op. 120 Nos. 1 & 2 by Johannes Brahms, Jon Manasse, Jon Nakamatsu. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Clarinet Sonata No. 2 in E-Flat Major, Op. 120: I. Allegro amabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Clarinet Sonata No. 2 in E-Flat Major, Op. 120: I. Allegro amabile by Johannes Brahms, Jon Manasse, Jon Nakamatsu is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39) | Johann Sebastian Bach, Martin Stadtfeld | G Minor | 1 | 6A | 79 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, Nicholas Angelich | E♭ Major | 0 | 5B | 75 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
16 Waltzes, Op. 39 - For Piano Duet: 15. In A Major | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | A Major | 0 | 11B | 87 BPM | ||
Sonata For Piano And Violin In E Minor, K.304: 2. Tempo di minuetto | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 1 | 9A | 124 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM |
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