"Kamui-Chikap Symphony, Op. 40: I. Ground" by Takashi Yoshimatsu, Keitaro Harada, Tokyo Symphony Orchestra had its release date on December 21, 2022. This song appears to be safe for all ages as it is not explicit. The track order of this song in Takashi Yoshimatsu, Keitaro Harada, Tokyo Symphony Orchestra's "Kamui-Chikap Symphony Op. 40 / Chikap Op. 14a" album is number 1 out of 6. On top of that, Japan appears to be the country where this track was created. Kamui-Chikap Symphony, Op. 40: I. Ground is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kamui-Chikap Symphony, Op. 40: I. Ground by Takashi Yoshimatsu, Keitaro Harada, Tokyo Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An Idea | Leo Brouwer, Zsófia Boros | E Minor | 0 | 9A | 71 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Die Nacht (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | G Major | 0 | 9B | 85 BPM | ||
Lullaby on an Ancient Irish Tune | Rebecca Clarke, Philip Dukes, Sophia Rahman | D♭ Major | 0 | 3B | 68 BPM | ||
Summa | Arvo Pärt, English Chamber Orchestra, Nigel Short | G Minor | 0 | 6A | 100 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
Orphée Suite - 6. Orphee's Return | Philip Glass | F Major | 1 | 7B | 127 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
Chonguri | Sulkhan Tsintsadze, Thomas Demenga, Thomas Larcher | E Minor | 0 | 9A | 169 BPM |