Giselle: Act II: Apparition de Giselle (Apparition of Giselle) - Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner Information

Acousticness: 89%
Danceability: 18%
Energy: 4%
Instrumentalness: 20%
Liveness: 36%
Loudness: 51%
Speechiness: 5%
Valence: 5%
Popularity: 8%
Loudness: -29.226 dB

Summary

"Giselle: Act II: Apparition de Giselle (Apparition of Giselle)" by Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1996. With Giselle: Act II: Apparition de Giselle (Apparition of Giselle) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 19 in Adam, A.: Giselle [Ballet] by Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner. In terms of popularity, Giselle: Act II: Apparition de Giselle (Apparition of Giselle) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Giselle: Act II: Apparition de Giselle (Apparition of Giselle) BPM

The tempo marking of Giselle: Act II: Apparition de Giselle (Apparition of Giselle) by Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Giselle: Act II: Apparition de Giselle (Apparition of Giselle) Key

B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Peer Gynt Suite No.2 op. 55 Peer Gynt's Homecoming (Allegro agitato)	Academy of St. Martin in the Fields	F♯ Minor	1	11A	82 BPM
Concerto for 4 Violins in B Minor, Op. 3, No. 10, RV 580: III. Allegro	Antonio Vivaldi, Iona Brown, Jonathan Rees, Ralph De Souza, Briony Shaw, Academy of St. Martin in the Fields	B Minor	4	10A	119 BPM
Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 3: Scene 2 - The Goaler's rooms in New Orleans	Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge	A♭ Major	0	4B	80 BPM
Walton: Henry V: Touch Her Soft Lips and Part	William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields	B♭ Major	4	6B	113 BPM
Overture-Suite in A Minor: Réjouissance	Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner	C Major	1	8B	142 BPM
Symphony No. 1 in C, Op. 21: 1. Adagio molto - Allegro con brio	Ludwig van Beethoven, Academy of St. Martin in the Fields, Sir Neville Marriner	C Major	2	8B	99 BPM
Symphony No.2: 2. Allegro risoluto	Aram Khachaturian, Wiener Philharmoniker	A♭ Major	3	4B	101 BPM
Romance for String Orchestra, Op.11	Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner	A♭ Major	1	4B	80 BPM
Coppelia Ballet Suite: Czardas	Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard	D Major	1	10B	95 BPM
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy Evening on the Sea). Allegro agitato	Edvard Grieg, Leonard Bernstein, New York Philharmonic	D Major	3	10B	69 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7876501083374023

End: 0.7920641899108887