"Our Father, Thou in Heaven Above, Satb" by Reformation 500 Choir, Sarah Copus, Roberto Lopez-Trigo, Kathryn Longo, Rachel Currea was released on September 29, 2017. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Reformation 500 Anniversary Album: Martin Luther- Celebration of Spirit". In this album, this song's track order is #1. Our Father, Thou in Heaven Above, Satb is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Our Father, Thou in Heaven Above, Satb by Reformation 500 Choir, Sarah Copus, Roberto Lopez-Trigo, Kathryn Longo, Rachel Currea having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesley: And Can It Be That I Should Gain (Sagina) - 5. No Condemnation Now I Dread | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 2 | 9B | 53 BPM | ||
Preces and Responses | Joanna Forbes L'Estrange, London Voices, Grace Davidson, Ben Parry | D Major | 1 | 10B | 80 BPM | ||
Annelies (chamber version): IV. The last night at home and arrival at the Annexe | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | D Minor | 1 | 7A | 71 BPM | ||
Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
In the Lord | Rejike | D Major | 0 | 10B | 74 BPM | ||
Small Litany - Common Chant | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | D♭ Minor | 0 | 12A | 75 BPM | ||
Lord Jesus think on me | William Daman, Magdala, David Skinner | E Minor | 0 | 9A | 172 BPM | ||
Der letzte Traum | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A♭ Major | 1 | 4B | 65 BPM | ||
Great Things | Tapestry Chamber Singers | F Major | 1 | 7B | 129 BPM | ||
Sing we and chant it - Mixed voices | Bob Chilcott, The Oxford Choir | F Major | 2 | 7B | 95 BPM |
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