"Carminibus festos / O requies populi" by Antonius Romanus, La Reverdie, Claudia Caffagni was released on June 29, 2015. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Venecie mundi splendor: Marvels of Medieval Venice (Music for the Doges, 1330-1430) by La Reverdie, Claudia Caffagni. The song's track number on the album is #7 out of 12 tracks. Carminibus festos / O requies populi is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Carminibus festos / O requies populi by Antonius Romanus, La Reverdie, Claudia Caffagni has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Carminibus festos / O requies populi being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Plaude decus mundi | Christoforus de Monte, La Reverdie, Claudia Caffagni | C Major | 1 | 8B | 138 BPM | ||
Dum transisset sabbatum | John Taverner, Alamire, David Skinner | E♭ Minor | 3 | 2A | 79 BPM | ||
Pars I: In principio | Helicon and Euterpe Choir, Marco Beasley, Elisabetta de Mircovich, Claudia Caffagni, Karen Peeters, Jaap Kruithof, Edwin Derde, Guido Morini, Geert Hendrix | A Minor | 0 | 8A | 79 BPM | ||
Audivi vocem de caelo | Thomas Tallis, Andrew Parrott, Taverner Choir, Taverner Consort | B♭ Minor | 1 | 3A | 78 BPM | ||
Danserye: Basse danse: No. 1. Dont vient cela – Reprise – Dont vient cela | László Czidra, Tylman Susato, Camerata Hungarica | D Minor | 1 | 7A | 101 BPM | ||
Responsories for Maundy Thursday Nocturn 2: I. Amicus meus osculi me tradidit signa | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 1 | 6A | 79 BPM | ||
Passemeze | Adrian Le Roy, Ronn McFarlane | B♭ Major | 1 | 6B | 117 BPM | ||
Carminibus festos / O requies populi | Antonius Romanus, La Reverdie, Claudia Caffagni | A Minor | 1 | 8A | 67 BPM | ||
La Magdalena | Pierre Attaingnant, Hopkinson Smith | D♭ Minor | 2 | 12A | 92 BPM | ||
Chosì pensoso | Francesco Landini, La Reverdie | D Minor | 1 | 7A | 81 BPM |
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