Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya's 'Don Giovanni: Madamina' came out on 2003. Don Giovanni: Madamina is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The song is number 6 out of 11 in Arias by Wolfgang Amadeus Mozart, Ezio Pinza, Bruno Walter, Metropolitan Opera Orchestra, Wolfgang Amadeus Mozart, Thomas Quasthoff, Wolfgang Amadeus Mozart, Various Artists, Thomas Quasthoff, Bläserensemble des Niederösterreichischen Tonkünstlerorchesters, Maximilian Geller Quartet, Various Artists, Alex Wunder, Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya. Based on our statistics, Don Giovanni: Madamina's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Don Giovanni: Madamina by Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sanctus: Maestoso | Raquel Pierotti, Luca Casalin, Joan Pons, Orquestra De Cambra Illa de Menorca | A♭ Major | 3 | 4B | 137 BPM | ||
Le Villi: Act II - No, possibil non è... Anima santa della figlia mia | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM | ||
The Merry Widow / Act 1: Duet: Proceed. One girl has almond eyes | Franz Lehár, Werner Krenn, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | A Major | 2 | 11B | 95 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
Capítulo 50.3 & Capítulo 51.1 - La casa de gel | Joan Pons | A♭ Major | 1 | 4B | 81 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Cruda, funesta smania" (Enrico, Normanno, Raimondo) | Gaetano Donizetti, Tito Gobbi, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Las Golondrinas, Escena 1ª, II parte: "Niña loca" | Coro del Gran Teatro Lírico de Bacelona | E♭ Major | 2 | 5B | 129 BPM | ||
Tríptic del Vent (Ponç Pons): I Estrangeirado | Antoni Parera Fons, Joan Pons, Joana Pons | B♭ Major | 3 | 6B | 88 BPM | ||
Serra Amunt | Cobla La Principal De La Bisbal | E♭ Major | 2 | 5B | 115 BPM | ||
Soledad | Rosario Armas, Ahmed Alom | A♭ Minor | 2 | 1A | 74 BPM |
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