Giacomo Puccini, Andre Kostelanetz, Columbia Symphony Orchestra's ' "Madama Butterfly: Un bel di vedremo" was released on its scheduled release date, 1969. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Puccini Without Words". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Madama Butterfly: Un bel di vedremo's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Madama Butterfly: Un bel di vedremo by Giacomo Puccini, Andre Kostelanetz, Columbia Symphony Orchestra having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Remember Me | Patrick Doyle | D Minor | 1 | 7A | 137 BPM | ||
String Quartet in F Major, Op. 3, No. 5, Hob.III:17, "Serenade" (attrib. to Hoffstetter): II. Andante cantabile (arr. L. Stokowski for orchestra) | Franz Joseph Haydn, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 1 | 8B | 109 BPM | ||
Vivaldi : Concerto Pour 2 Violons & Orchestre en La Mineur Op. III n°8 (Allegro) | Angelicum De Milan | A Minor | 3 | 8A | 138 BPM | ||
Swan Lake, Op. 20, TH. 12: Pas de trois: 2. Andante sostenuto (Arr. Eshkeri and Orch. Dannheisser) | Belgrade Philharmonic Orchestra, Andy Brown | C Minor | 1 | 5A | 90 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Die tote Stadt / Act 1: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
Suor Angelica: Intermezzo | Giacomo Puccini, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 83 BPM | ||
Pictures at an Exhibition: The Great Gate of Kiev | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 93 BPM | ||
Piano Concerto No. 1 In B Flat Minor, Op. 23, TH.55: 1a. Allegro non troppo e molto maestoso - | Pyotr Ilyich Tchaikovsky, Martha Argerich, Bavarian Radio Symphony Orchestra, Kirill Kondrashin | E Minor | 1 | 9A | 73 BPM | ||
Götterdämmerung, WWV 86D, Act III: Siegfrieds Trauermarsch | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | F Minor | 0 | 4A | 67 BPM |