Inger Dam-Jensen, Malcolm Martineau's 'Strauss: Muttertandelei (Op. 43 No. 2)' came out on January 1, 2011. The duration of Strauss: Muttertandelei (Op. 43 No. 2) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Strauss: Muttertandelei (Op. 43 No. 2)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #91. The popularity of Strauss: Muttertandelei (Op. 43 No. 2) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss: Muttertandelei (Op. 43 No. 2) by Inger Dam-Jensen, Malcolm Martineau having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt, Op. 23: X. Peer Gynt et le Courbe | Edvard Grieg, Orchestre de la Suisse Romande, Guillaume Tourniaire, Le Motet De Genève, Dietrich Henschel, Inger Dam-Jensen, Sophie Koch | E Major | 0 | 12B | 84 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Kyung Wha Chung, Phillip Moll | E Major | 1 | 12B | 175 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
Viol (Violet), Op. 4, No. 3 | Peter Erasmus Lange-Muller, Inger Dam-Jensen, Christen Stubbe Teglbjaerg | A Major | 1 | 11B | 146 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
Den lille havfrue (The Little Mermaid): III. Festen (The Celebration) (chorus, soprano, tenor) | Bent Sørensen, Inger Dam-Jensen, Gert Henning-Jensen, Danish National Girls Choir, Danish National Radio Symphony Orchestra, Thomas Dausgaard | G Minor | 2 | 6A | 78 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM |
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